هته بعض المقالات الجيدة المأخوذة من كتاب AnimationMentor.com Tips & Tricks .في الحقيقة الكتاب قيم جدا وفيه اشياء مميزة نحتاجها سأحاول ان اقول بترجمة موضوع او اثنين كل فترة لنستفيد منها .
ساضع دائما الموضوع بالأنجليزية ثم الترجمة تحسبا لأي خطأ في ايصال المعنى او ترجمته او للأستفادة من المصطلحات الأنجليزية المقابلة للعربية في مجال التحريك .اتمنى ان تستفيدو .
ساضع دائما الموضوع بالأنجليزية ثم الترجمة تحسبا لأي خطأ في ايصال المعنى او ترجمته او للأستفادة من المصطلحات الأنجليزية المقابلة للعربية في مجال التحريك .اتمنى ان تستفيدو .
INTRODUCTION
Welcome to the First Edition of Animation Tips and Tricks. This treasure trove of information will give you an in-depth look at
techniques professional animators use to create the movies, TV shows and special efects you love. This ebook is a collection of
articles written by Shawn Kelly who is a co-founder of AnimationMentor.com. He is also the winner of the 2008 VES award for The
Best Single Visual Efect of the Year for his work on Tranformers and he continues to work full-time at Industrial Light & Magic as an
animator. Here he’s sharing proven tips and tricks he’s learned over the years so you can become the best animator possible. Now
we’re sharing them with you so you can learn some of the cool stuf we’re teaching at AnimationMentor.com. If you’d like to ind out
more about our school, and keep getting tips and tricks, please sign up for our newsletter.
AnimationMentor ان كنت تريد ان تعرف المزيد عن المدرسة او المزيد من المعلومات اطلب مجلة المدرسة من موقع المدرسة .
PLANNING
Because this is the irst article, I’d be remiss if I didn’t start with probably the single most important tip most professional animators
are likely to give a student: PLAN YOUR WORK. Planning is probably the step most often missed by students, and at the same time,
it is probably the most essential tool in your entire animation toolbox, especially in the irst few years of your animation life. You
should never sit down in front of your computer, animation disc or puppet, until you know exactly what poses you are planning to
use, when you are planning to use them, and why.
Before you begin any shot, it’s so important to study references, work out your thumbnails, and make your timing and acting
decisions on paper. This may seem like an “extra” step to some of you, but believe me, it will save you time in the long run and your
work will look so much stronger than it would have otherwise.
All of my best feature ilm shots are also the ones I spent the most time planning out. The shots where I got y and thought “Aw,
I know how to animate that, I’ll just sit down and do it” are, almost without exception, the shots that ended up being “okay,” but
never as good as they could have been. I’ll always regret missing the opportunity I had to make those shots special, but at least they
taught me an invaluable lesson:Planning Comes First
, ALWAYS!
Tune in next time for some practical tips on how you can plan your shot!
التخطيط :PLANNINGBecause this is the irst article, I’d be remiss if I didn’t start with probably the single most important tip most professional animators
are likely to give a student: PLAN YOUR WORK. Planning is probably the step most often missed by students, and at the same time,
it is probably the most essential tool in your entire animation toolbox, especially in the irst few years of your animation life. You
should never sit down in front of your computer, animation disc or puppet, until you know exactly what poses you are planning to
use, when you are planning to use them, and why.
Before you begin any shot, it’s so important to study references, work out your thumbnails, and make your timing and acting
decisions on paper. This may seem like an “extra” step to some of you, but believe me, it will save you time in the long run and your
work will look so much stronger than it would have otherwise.
All of my best feature ilm shots are also the ones I spent the most time planning out. The shots where I got y and thought “Aw,
I know how to animate that, I’ll just sit down and do it” are, almost without exception, the shots that ended up being “okay,” but
never as good as they could have been. I’ll always regret missing the opportunity I had to make those shots special, but at least they
taught me an invaluable lesson:Planning Comes First
, ALWAYS!
Tune in next time for some practical tips on how you can plan your shot!
لأن هذا هو الموضوع الأول لنا سأكون مخطأ ان لم ابدأ بما هو ربما اكثر تقنية يعطيها المحركون المحترفون للطلبة .خطط لعملك .PLAN YOUR WORK التخطيط هو في اعتقادي اكثر المراحل التي يتناساها الطلبة وفي نفس الوقت اعتقد هي اكثر المراحل الأساسية في في صندوق ادواتك للتحريك .خاصتا في سنوات حياتك الأولى مع التحريك .لايجب ان تجلس ابدا امام جهاز الكمبيوتر .او امام الدمية التي ستحركها الا ان كان لديك مخطط كامل عن الوضعيات التي ستعملها في الترحيك الذي ستعمل .وفي اي زمن ستضعها بالضبط اي التوقيت ولمذا ستضعها بالضبط اي الهدف من كل وضعية من المهم جدا ان تدرس المراجع وان تعمل صورك المصغرة thumbnails وان توضع قراراتك حول التامين و التمثيل acting في اوراق ورسومات .هته قد تبدو انها اشياء اضافية او زائدة لبعضم لكن صدقوني هته الخطوات ستختصر عليكم الكثير من الوقت مع الزمن وستجعل عملكم كما لم تتصورو ان يكون وكما لا يمكن ان يكون بطريقة اخرى .بالنسبة لي افضل المشاهد التي حركتها هي المشاهد التي قضيت اكبر وقت وانا اخطط لها .المشاهد التي بدأتها وانا مغرور واجلس مباشرتا امام الجهاز وانا اقول اوه انا اعرف ذالك الشيئ جيدا فقط ساجلس واعمله ائما وبدون اي استثناء تكون مشاهد عادية ولا تكون ابدا على الأطلاق مشاهد مميزة او قوية .نا دائما اندم على تضيع فرصت امكانية جعل تلك المشاهد مميزة واخاصة .ولكن على الأقل علمتني درس لا ينسى التخطيط اولا Planning Comes First سنتكلم في المرة الاقدمة حول كيف نخطط .
OBSERVATION
Okay, so last month I was going on and on about how important it is to spend time planning your scene before you sit down in front
of your computer, your animation disc, or your stop-motion set. But HOW do you do that? What’s the best way to plan a scene?
Well, the irst thing you absolutely have to do is OBSERVE.
Sounds simple, right? Well, it isn’t quite as simple as you might irst think, but it will become second nature eventually. The important
thing to realize is that observation is not passive or casual. Observation is much more than simply “seeing” something interesting -
it’s ACTIVELY studying the world around us. Sure, a certain amount of curiosity is natural, but you have to take your natural curiosity
for noticing things and train yourself to that curiosity knob to 11 if you want to become an animator.
Let’s say that you see a little trying to feed her lollypop to a monkey at the zoo, and her mother grabs to stop her, knocking the
lollypop into the air where it sticks in the mother’s hair. Seeing that happen might have been funny, or maybe you felt bad for the
mother, or embarrassed for them -- either way it was probably pretty memorable. It’s something you might even tell your friends
about that night
.
الملاحضة :OBSERVATION[COLOR=White]Okay, so last month I was going on and on about how important it is to spend time planning your scene before you sit down in front
of your computer, your animation disc, or your stop-motion set. But HOW do you do that? What’s the best way to plan a scene?
Well, the irst thing you absolutely have to do is OBSERVE.
Sounds simple, right? Well, it isn’t quite as simple as you might irst think, but it will become second nature eventually. The important
thing to realize is that observation is not passive or casual. Observation is much more than simply “seeing” something interesting -
it’s ACTIVELY studying the world around us. Sure, a certain amount of curiosity is natural, but you have to take your natural curiosity
for noticing things and train yourself to that curiosity knob to 11 if you want to become an animator.
Let’s say that you see a little trying to feed her lollypop to a monkey at the zoo, and her mother grabs to stop her, knocking the
lollypop into the air where it sticks in the mother’s hair. Seeing that happen might have been funny, or maybe you felt bad for the
mother, or embarrassed for them -- either way it was probably pretty memorable. It’s something you might even tell your friends
about that night
.
حسننا تكلمنا في الشهر الماضي حول مدى اهمية انفاق الوقت في التخطيط قبلن ان تجلس امام جهاز الكمبيوتر .لكن كيف تفعل ذالك ؟ .ماهي افضل طريقة لتخطيط مشهد ؟
اول شيئ يتوجب عليك فعله هو الملاحضة والتمعن .نعم هو ذالك هو ليس بسيطا كما يبدو لك اول مرة لكنه سيصبح احد صفاتك الطبيعية الأضافية في نهاية الأمر .الشيئ المهم الذي يجب ان تعرف هو ان الملاحضة والتمعن ليست شيئ عرضي او عابر او يكون في مناسبات فقط هو ليس ببساطة ان ترى شيئ فقط ، انه عملية دراسة العالم من حولنا .نعلم الكثير من الفضول هو من طبيعتنا كبشر ولكن عليك ان تقود هته الطبيعة الاثنية لتلاحض الدقائق وتوجها وتتدعنها لتسجل الملاحضات حول ما تحتاج من ما ترى
دعونا نعطي مثالا لطفلة مثلا تحاول ان تطعم قردا في حديقة حيوانات مصاصة حلوى وامهما
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