موضوع: من لديه فكرة عن نشأة الفن ثلاثي البعد الرقمي وتطوره ؟

ردود: 8 | زيارات: 996
  1. #1

    Exclamation من لديه فكرة عن نشأة الفن ثلاثي البعد الرقمي وتطوره ؟

    الأخوة الأعزاء ..
    أحتاج لفكرة عن نشأة فن البعد الثالث الرقمي ( اللي هو عن طريق الحاسب ) وتطور هذا الفن ..
    في إنتظاركم للأهمية ..
    أرجو أن تكون المعلومات أو المواقع بالعربي
    .. اللهم يا مقلب القلوب ثبت قلبي على دينك ..

    :: الله أكبر .. الله أكبر .. الله أكبر .. لا آله إلا الله .. الله أكبر .. الله أكبر.. ولله الحمد ::


  2. #2
    عضو نشيط
    صور رمزية lover_3ds
    تاريخ التسجيل
    Oct 2006
    المنطقة
    بعالم CINEMA 4D
    ردود
    554
    لم افهم قصدك تماما ارجو التوضيح
    In The 3D World

  3. #3
    abdelouahab
    صور رمزية abdoubb
    تاريخ التسجيل
    May 2006
    المنطقة
    تحت القرمود
    العمر
    33
    ردود
    5,333
    ما يمكنني المساعدة به هو أن REYES :
    Render Everything Your Ever Saw
    أي يقوم بتصيير كل شيء يمكن للعين أن تراه!
    هو الذي قام بتغيير مجال الثريدي و هناك شخصية مهمة في عالم الثريدي و هو
    Edwin Catmull الذي أسس شركة بيكسار المشهورة.
    أقول أنه مهم لأن اسم Catmull متداول كثيرا في برامج الثريدي...
    و في السابق عمل بسيط لكي يتم تصييره كان يأخذ ساعات إلى أن أتى المشهور REYES و الذي يدعى الآن renderman !!!!
    بعض الدروس
    http://abdelouahab.4shared.com

    .... à la mémoire de Kazouz

  4. #4
    طالب / مدرسة الأنيميشن
    صور رمزية أطلسي
    تاريخ التسجيل
    Oct 2005
    المنطقة
    المغرب
    العمر
    38
    ردود
    1,707
    السلام عليكم
    هذا رابط مفيد .....للأسف لم أجد الكتاب لكن سأوافيك به حالما أجده.....
    http://www.maxforums.net/showthread.php?t=82129

    نجار جيد بيده مطرقة سيئة أفضل بكثير من نجار سيء معه أفضل مطرقة في العالم.

  5. #5
    قمت بكتابة موضوع سابق وللاسف لا يوجد معلومات باللغة العربية الا تترجم الموضوع الذي نقلته من موقع السي جي توك
    http://www.maxforums.net/showthread.php?t=91955

  6. #6
    How is digital 3-D different from old 3-D movies?
    by Tracy V. Wilson


    March 30, 2007
    Today's computer-animated movies do a pretty good job of imitating three-dimensional environments. In films like "The Incredibles," "Cars" and the "Shrek" series, characters seem to exist as solid objects that can move and interact with their surroundings. It takes a lot of work and a good understanding of how people perceive images to achieve this effect. Filmmakers even make real, tangible models of their characters, known as maquettes, to help them figure out how a 3-D character would move in a 3-D space.

    Photo courtesy Walt Disney/Buena Vista Pictures
    3D computer-animated movies like Meet the Robinsons use shadows, textures, the relative sizes of different objects and other tools to imitate a three-dimensional environment.



    In the past few years, filmmakers have taken this attempt to recreate three-dimensional space on screen one step further. With digital 3-D, animators can fool your eyes and brain into thinking that they're looking into a 3-D space rather than at a 2-D screen. The end result is like looking through a window into a real, three-dimensional world or like having elements of the scene in the theater with you. While it's similar to older 3-D movies, the technology is considerably more advanced.

    Both old and new 3-D movies rely on quirks of human vision to create deep, panoramic scenes or objects that seem to fly from the screen. Human beings have binocular vision -- each eye sees a different image, and the brain combines them into a single, unified picture. The brain uses the slight difference in angle between the two images, known as parallax, to help it perceive depth. This is why people who lose their sight in one eye have trouble judging distances.

    Old 3-D movies used anaglyph images to take advantage of binocular vision and parallax. These images include two color layers in a single strip of film shown from one projector. One layer is predominately red, and the other is predominately blue or green. To watch the movie, you wear 3-D glasses with one red lens and one blue or green lens. These lenses force one eye to see the red part of the image and the other eye to see the blue or green part. Because of the differences between the two, your brain perceives them as one image with three dimensions. However, because of the use of color-filtering lenses, the color of the final image isn't accurate. This type of 3-D technology has also caused some people to experience headaches, eye strain and nausea.


    Old 3-D movies used glasses with tinted lenses to create a three-dimensional effect. Newer movies use glasses with polarized lenses.



    Digital 3-D uses images to trick your vision as well. But instead of using color to filter out the right image for each eye, most systems use polarization. Polarized lenses allow only light waves that are aligned in the right direction to pass through. In a pair of digital 3-D glasses, each lens is polarized differently. In some glasses, there is a 90-degree difference in polarization. Others use different alignments of circular polarization. The screen is specially designed to maintain the correct polarization when light from the projectors bounces off of it. Rather than looking like a mesh of red and green, movies that use this technology look normal, but blurry, when viewed without glasses.

    A digital 3-D movie uses one or two digital projectors to display the picture on the screen. Setups with two projectors use one to display the picture for the left eye and the other for the right. The light that creates each image is polarized to match the corresponding lens. Most one-projector systems use a special polarization switch mounted over the projector lens. This switch is a polarized plate that allows the light for only one of the two images through at a time. In one-projector systems, each eye sees its image for each frame of the movie two or three times in extremely fast succession. Your brain blends these into a seamless, moving, three-dimensional image. A few systems use active glasses that synchronize themselves with the projectors using radio waves, but these tend to be heavier and more expensive than ordinary polarized glasses.


    Photo courtesy Walt Disney/Buena Vista Pictures
    According to director Steve Anderson and 3-D supervisor Kyle Odermatt, Lewis's arrival in the future in "Meet the Robinsons" is the first moment in the film that uses maximum three-dimensional depth.



    This technology doesn't corrupt the color of the finished image, and it doesn't cause as many unpleasant side effects as anaglyph images. For this reason, some movie makers have started making new movies with 3-D projection in mind. One example is "Meet the Robinsons," which opens March 30. According to director Steve Anderson, the use of digital 3-D helped them tell the story rather than providing a lot of visual gimmicks. "We did want to be conscious of not manufacturing those typical 3-D moments, where things are artificial," says Anderson. "We really wanted to use it more to tell the story...in the quiet emotional scenes between [characters] Lewis and Midred, the depth is scaled way back, and you're just concentrating on the characters. In the dinosaur chase...as the kids are hanging inside his mouth, you're seeing enormous amounts of depth."

    It's hard to predict exactly what will happen with this technology in the future. However, children's movies that show on 3-D screens tend to perform better at the box office, so more movies may begin to include 3-D projection as time goes on.

    For more information about digital 3-D and related topics, check out these links:

  7. #7
    ابوصالح1

    املك كتاب المدخل الى عالم التصميم الرقمي الثلاثي الأبعاد . و يسرد كيفية نشأته و تطوره و أهم مؤسسيه و مطوريه و مبدعيه . حسنا هو كتاب رائع..بأمكاني أن أنقل لك الكلام المكتوب فيه .
    لكن.. في الرياضيات تكون المعادلة متساوية الطرفين .

    اذا. سأقدم لك المعلومات و قدم لنا درس متقدم عن أي شيء في السينما ..

    ما رأيك..
    AL-KETBI™ | all copyrights© reserved 2007-2014 - maxforums.net

  8. #8
    الأخوة مشكورين ..
    تم وصول الكتاب من طرف الأخ أطلسي ..
    .. اللهم يا مقلب القلوب ثبت قلبي على دينك ..

    :: الله أكبر .. الله أكبر .. الله أكبر .. لا آله إلا الله .. الله أكبر .. الله أكبر.. ولله الحمد ::

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