w_o_f_a_i_m
كنت اتابع احد دروس جيسون رايان في الأنيميشن فقال انه من اهم الأشياء التي تعلمها في حياته لتحقيق افضل نتيجة في الأنيميشن هي الوفايم وهي من اهم التقنيات التي تدرس في وال ديزني وجميع معاهد التمثيل والمسرح.وهي اختصار لمجموعة تسائلات تطرحها على نفسك وبالأجابة عليها تضع نفسك في الصورة الكاملة لنوع الشخصية التي تقوم بتحريكها ويمكنك ذالك من الحفاض على توازن ووحدة الشخصية للكركتر الخاص بك.
في الحقيقة انا كنت كلما شاهدت احد افلام بيكسار او دريم وركس يشدني كثيرا ان الشخصيات تحمل روح الشخصية بكل معنى الكلمة اي انك تحس ان شخية ذالك الكركتر متجسدة في تصرفاته فعلا .مثلا الشخصية التي ابهرتني شخصية السمكة دوريس في فيلم نيمو كل تصرفاتها هي تصرفات الأنسان الساذج والغبي احياننا وكثير النسيان والطيب.لا يمكن للأنسان ان يوجد لنفسه مثل ها التوازن الا اذا اتبع مثل هذه الخطة في كتابة السناريو الذي تسير عليه شخصيته
حسننا الوفايم هي اختصار ل
Wants?
ماذا يريد الكركتر
Objectives?....long term, short term?
هدف الشخصية .الهدف القريب والهدف البعيد
Feelings?
شعور الشخصية او احساسها
As-if (is character impersonating another character)?
هذه في حالة اذا كان الكركتر يقلد كركتر اخر ويحاول انتحال شخيته
Intentions?
عزم وشدة تصميم الشخصية على ما تريد
Moment before (continuity)?
تاثير اللحصة التي تسبق هذه اللحضة على تصرفاته
و ها هوا جيسون رايان نفسه يطبق هذه المبادئ على الكركتر الي قام هو بتحريكه في فيلم Chicken Little
كنت اتابع احد دروس جيسون رايان في الأنيميشن فقال انه من اهم الأشياء التي تعلمها في حياته لتحقيق افضل نتيجة في الأنيميشن هي الوفايم وهي من اهم التقنيات التي تدرس في وال ديزني وجميع معاهد التمثيل والمسرح.وهي اختصار لمجموعة تسائلات تطرحها على نفسك وبالأجابة عليها تضع نفسك في الصورة الكاملة لنوع الشخصية التي تقوم بتحريكها ويمكنك ذالك من الحفاض على توازن ووحدة الشخصية للكركتر الخاص بك.
في الحقيقة انا كنت كلما شاهدت احد افلام بيكسار او دريم وركس يشدني كثيرا ان الشخصيات تحمل روح الشخصية بكل معنى الكلمة اي انك تحس ان شخية ذالك الكركتر متجسدة في تصرفاته فعلا .مثلا الشخصية التي ابهرتني شخصية السمكة دوريس في فيلم نيمو كل تصرفاتها هي تصرفات الأنسان الساذج والغبي احياننا وكثير النسيان والطيب.لا يمكن للأنسان ان يوجد لنفسه مثل ها التوازن الا اذا اتبع مثل هذه الخطة في كتابة السناريو الذي تسير عليه شخصيته
حسننا الوفايم هي اختصار ل
Wants?
ماذا يريد الكركتر
Objectives?....long term, short term?
هدف الشخصية .الهدف القريب والهدف البعيد
Feelings?
شعور الشخصية او احساسها
As-if (is character impersonating another character)?
هذه في حالة اذا كان الكركتر يقلد كركتر اخر ويحاول انتحال شخيته
Intentions?
عزم وشدة تصميم الشخصية على ما تريد
Moment before (continuity)?
تاثير اللحصة التي تسبق هذه اللحضة على تصرفاته
و ها هوا جيسون رايان نفسه يطبق هذه المبادئ على الكركتر الي قام هو بتحريكه في فيلم Chicken Little
Yo Eric, well in a feature you're making the Directors vision so on the offset he'll tell you who the character is the way he / she's sees it. Then I like to start with that and go deeper.
So for instance Chicken Little, yes he was plucky but when he was freaking out, I went into his head and put myself in that situation but also tried to think about the wofaim. He wanted to be accepted and loved by his father, he also didn't want to embarrass him in the eyes of the public like before (start of the movie). His Long term objective was to earn his father's love but also to make his father see that he would never stick up for him or believe him, short term is to get through the day....today is a new day...make the best of a bad situation He feels hurt, unappreciated, lacking a supportive loving family, like a freak of nature, determined to change his and other peoples opinion of himself. As-if doesn't really come into play here....that's like the Genie playing Jack Nicholson. Intentions are very similar to the objectives, but can be analysed as a shot per shot or sequece by sequence....so like on top of the dome....he intends to make the father really trust him, determined to see his plan through. Moment before.....is a big one because this is his life that we don't see but makes his character sincere......things that he is confident in doing are things that he has done before.....bottle on his back shooting himself through the window of the school, getting into his school locker.
When you're doing these lines of dialogue a trap to fall into is knowing the actor, movie and situation while listening to the dialogue...so try to really think about these people as real and sincere with a whole life of experiences behind them and let the "emotion drive the motion".
So for instance Chicken Little, yes he was plucky but when he was freaking out, I went into his head and put myself in that situation but also tried to think about the wofaim. He wanted to be accepted and loved by his father, he also didn't want to embarrass him in the eyes of the public like before (start of the movie). His Long term objective was to earn his father's love but also to make his father see that he would never stick up for him or believe him, short term is to get through the day....today is a new day...make the best of a bad situation He feels hurt, unappreciated, lacking a supportive loving family, like a freak of nature, determined to change his and other peoples opinion of himself. As-if doesn't really come into play here....that's like the Genie playing Jack Nicholson. Intentions are very similar to the objectives, but can be analysed as a shot per shot or sequece by sequence....so like on top of the dome....he intends to make the father really trust him, determined to see his plan through. Moment before.....is a big one because this is his life that we don't see but makes his character sincere......things that he is confident in doing are things that he has done before.....bottle on his back shooting himself through the window of the school, getting into his school locker.
When you're doing these lines of dialogue a trap to fall into is knowing the actor, movie and situation while listening to the dialogue...so try to really think about these people as real and sincere with a whole life of experiences behind them and let the "emotion drive the motion".
تعليق